On and Off

Performed at the ICA, May 2009, by Matthew Shlomowitz, Laurence Crane, Tom Pauwels, Alexander Waterman, Mark Knoop and Joanna Bailie.

Composer and curator Joanna Bailie was born in London and currently resides in Berlin. Her recent work includes chamber music and installation, and is characterized by the use of field recordings together with acoustic instruments. She is also interested in the interplay between the audio and visual as evidenced by her works for camera obscura (The place you can see and hear, Analogue) and film (The Grand Tour).

7:00pm Tuesday 27 January 2026
St John’s College, Oxford

Free tickets available here.

Joanna Bailie • Roll Call
Bernhard Lang • Game 542
Liza Lim • Inguz
Helmut Lachenmann • Allegro sostenuto

Monday 12 to Wednesday 14 January 2026
Cafe Oto, London
doors nightly 7:30pm

Plus Minus Ensemble presents three nights of music, joined by special guests Kaj Duncan David and Danish ensemble Scenatet.

Tickets now available here.

Mappings: Monday 12 January

Mads Emil Dreyer • Miniature 1
  for four performers — Scenatet
Joanna Bailie • Roll Call
  for piano and video — Mark Knoop
Andrea Balency-Béarn • Mappings (El Mapa No Es el Territorio)
  for seven instruments — Plus Minus Ensemble

In Mads Emil Dreyer’s Miniature 1, toy carillons create an intimate, dreamlike, and ritualistic world of microtonal melodies. Joanna Bailie’s Roll Call for piano and video takes as its subject a panoramic photograph of the pupils and teachers of a boys’ school in Romford, Essex, made in 1946.

The evening culminates with the premier of Andrea Balency-Béarn’s Mappings (El Mapa No Es el Territorio), a work that transforms personal spaces into immersive soundscapes. Drawing on field recordings from two locations in Mexico City and one in London, the piece reimagines these environments through live performance and digital transformation.

Only birds: Tuesday 13 January

Kaj Duncan David • Only birds know how to call the sun and they do it every morning
  lyrics by Maikon K and Kaj Duncan David
  performed by Kaj Duncan David and Scenatet

Plus Minus will also perform a set with a very special guest, to be announced soon.

Kaj Duncan David’s Only Birds explores the tension between the artificial and the real, drawing inspiration from electronic voice technologies, new age and psychedelic aesthetics, and the sonic landscapes of video games. A concert-length journey, it frames a subtle, humorous, and deeply human meditation on the boundaries of our own humanity.

Covers: Wednesday 14 January

The final night showcases a project devised and performed by Plus Minus, featuring six works that engage with twentieth-century classics—or with pieces that deserve to be considered classics. Each explores its relationship to the original in a unique way: some make explicit reference through playful arrangements or stylistic transformation, others use the original as a springboard for a new adventure, and in some, the originals linger only as spectral echoes.

Natasha Diels • Adrift (after Julian Carrillo Preludio a Colon 1922)
Alex Hills • Andante and Presto No Longer for String Quartet 2025 (after Ruth Crawford Seeger String Quartet 1931)
György Ligeti • Atmospheres (1961) reimagined by Tom Pauwels
George Antheil • Piano Sonata No.2: The Airplane (1921) reimagined by Benjamin Oliver
Lili Boulanger • Nocturne (1911) arranged by Matthew Shlomowitz
Hildegard Knef • reimagined by Lisa Streich

Guests

• Kaj Duncan David

Scenatet

• Lorenzo Colombo
• Matias Seibæk
• Mikkel Schou
• Marta Sogetti
• Vicky Wright

Plus Minus Ensemble

• Mira Benjamin
• Elsa Bradley
• Roderick Chadwick
• Mark Knoop
• Tom Pauwels
• Alice Purton
• Vicky Wright

Kaj Duncan David is a Berlin-based composer and performer of electronic music. He has released two solo albums and composed large-scale music theatre works such as the award-winning Up Close and Personal (2018) for the Münchener Biennale. Most recently, he co-created the soundtrack for Michelle Moura’s tão carne quanto pedra (2025), commissioned by the São Paulo City Ballet.

Scenatet (Denmark) is one of Europe’s most innovative ensembles, merging score music, performance, and dramaturgy in interdisciplinary, site-specific formats. Founded in 2008, Scenatet challenges artistic conventions and engages audiences through bold, genre-defying works. Collaboration across disciplines is central to its practice, resulting in original and commissioned productions that shape the future of scenic music. With a strong international profile, Scenatet tours widely and collaborates with leading composers, directors, choreographers, dancers, and musicians worldwide.

Plus Minus is a UK-based group dedicated to commissioning new works alongside modern and landmark repertoire. Formed in 2003, the group focuses on performative, electroacoustic, and conceptual pieces, Plus-Minus explores experimental works, including Stockhausen’s 1963 classic, after which the ensemble is named. The ensemble was resident at University of Edinburgh from 2019 to 2024 and in recent years has performed at Whelan’s (Dublin), BBC studios, Centro Cultural de Belém (Lisbon), MINU festival (Copenhagen) and Klangspuren Schwaz in Austria.

Joanna Bailie is a Berlin based composer whose work often integrates manipulated field recordings, camera obscura, film and other sound media with acoustic instruments.

Andrea Balency-Béarn is a French-Mexican composer, film composer and performer based in London. She is currently researching sound-based interactive systems between acoustic instruments, score and real-time electronics.

Natacha Diels is a Philadelphia-based composer and performer whose work blends choreographed movement, video animation, instrumental practice, and cynical play to construct worlds that are at once wondrous and unsettling.

Mads Emil Dreyer is a Copenhagen-based composer whose work explores the dialogue between electroacoustic and acoustic entities. His compositions often emphasize lightness, brightness, and a sense of beauty and poetry.

Alex Hills is a London based composer. He has a strong interest in taking experimental approaches to historical materials, and much of his recent music explores the boundaries between transcription, pastiche and original composition.

Benjamin Oliver is a composer, conductor, and jazz pianist based in Southampton. He frequently collaborates with artists from other disciplines, including poet Luke Wright, theatre-maker Rachel Warr, filmmaker and audiovisual artist Moe Myat May Zarchi.

Tom Pauwels is a Brussels based guitarist and General Director of Ictus Ensemble. His interest in performance has led to collaborations with choreographers as Xavier Le Roy, Andros Zins-Browne and Maud Le Pladec.

Matthew Shlomowitz is a London based composer. His most recent work is The Big Idea, a one-hour monodrama for mezzo soprano Lotte Betts-Dean and Rubiks Collective (Melbourne), which he made with librettist Vid Simoniti.

Lisa Streich is a composer based in Gotland. Her distinctive works often feature stark contrasts, spectral harmonies, and the use of motorized instruments.

9:30pm Saturday 8 October 2022
Teatro Aveirense, Sala Principal
Aveiro
Portugal

Tickets available from the Theatre.

Kristine Tjøgersen • we should get to know each other
Eva Aguilar • Insula
Lois V Vierk • Go Guitars
Joanna Bailie • He just missed the train
Alexander Schubert • Sensate Focus

8:00pm Friday 18 February 2022
Cafe Oto
London

Max Syedtollan • Four Assignments
Joanna Bailie • He just missed the train
Anthony Braxton • Ghost Trance Music †

† led by Kobe van Cauwenberghe

7:00pm Thursday 17 February 2022
West Court, Edinburgh College of Art
74 Lauriston Place
Edinburgh

Max Syedtollan • Four Assignments
Joanna Bailie • He just missed the train
Anthony Braxton • Ghost Trance Music †

† led by Kobe van Cauwenberghe and performed together with students from the Reid School of Music.

Free to attend, register here.

Thursday 28 November 2019
West Court
Edinburgh College of Art
Edinburgh

Joanna Bailie • On and Off
Lois V Vierk • Go Guitars
Lawrence Dunn • Set of Four
Louis d’Heudieres • Laughter Studies 1
Alexander Schubert • Sensate Focus

1:00pm Wednesday 9 October 2019
Studio One
University of Surrey
Guildford

Kristine Tjøgersen • We should get to know each other
Louis d’Heudieres • Laughter Studies 1
Joanna Bailie • Roll Call
Laurence Crane • Riis

8:00pm Monday 29 May 2017
Koncertkirken
Blågårdsplads 6A
Copenhagen

Simon Steen Andersen • Mono
Morten Ladehoff • Introduktion und Motoren
Joanna Bailie • Artificial Environments Nos.1-5
Laurence Crane • Octet
Cassandra Miller • Traveller Song

7:30pm Thursday 2 March 2017
St John-at Hackney
Lower Clapton Rd
London E5 0PD

Joanna Bailie • Artificial Environments Nos.1-5
Carola Bauckholt • Hirn und Ei
Carola Bauckholt • Geräuschtöne

8.30pm Thursday October 27 2016
L’Auditori de Barcelona
Lepant 150, 08013 Barcelona

Joanna Bailie • Artificial Environment No.8
Joanna Bailie • Artificial Environments Nos.1-5
Bryn Harrison • Repetitions in Extended Time